Streaming
services opened an endless supply of television viewing for us with unexpected
surprises ranging from sitcoms to drams. I can binge watch entire series that
originally took years to see, within back-to-back blocks of time. Although I
don’t turn on the television set until mid-afternoon each day, I’ve managed to
stumble upon some wickedly funny shows as well as tissue demanding series like Firefly Lane and Broadchurch. Some shows I watch alone as I know my husband won’t
watch the murderous plots of Criminal
Minds. Sometimes, I end up watching something twice, like the first season
of Grace and Frankie because I had to
share its wit with him.
Friends
suggest, “Have you seen . . .” which I add to a mental list to view eventually.
Everyone knows my penchant for disaster movies, and any sci-fi finds itself on
my list, too. It’s a slow process to make it through every documentary, film,
and show on my “To View” list which means I lag behind the watching habits of
most of my friends. Add to that the fact that I limit my time in front of the television
to about two hours a day, and you can understand that my catalogue contains a
hefty number of shows to be seen.
This
week I finally began watching The
Sopranos. With the first episode, I understood why more than one person
suggested this show for me (and not my husband). The psychologist in me became
hooked immediately with the main character’s angst and flaws. The writer in me
likes the unique blend of humor and horrific violence. However, I realized immediately
that this show is not one I can watch hour after hour. Two episodes at a time
is my limit. Yesterday, I found episodes of The
Waltons to counterbalance the brutal beating and killing of a character
with the sugary sweet innocence of 1970s television.
My
youth, spent waiting from one week to the next to watch the next episode, didn’t
let me realize the excellence within a program. Now, my viewing pleasure, provided
through one of many streaming options, allows me to appreciate quality writing,
performances, and production in a way an audience in the past never could.
Copyright 2024 Elizabeth Abrams Chapman
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